Tag Archives: photography

Revenge of the MelaModster: Experiences with Photoshop

“Would you just shut up about this photoshop assignment and F@#$in do it”, said the Devil when I offered him my soul in exchange for super-photoshop-strength (he caught me at my weakest, what was I to do?). Then, as the little devil on my left shoulder disappeared in a cloud of smoke, mumbling that super-photoshop-skills were too much even for him, my mother popped up on the right shoulder to share one of her tried and true pieces of homemade wisdom: “Reduce, Re-use and Recycle”, she said. Hmmmmm….. Well, this got me thinking… Why stress myself out about having to take shots. Maybe I CAN recycle some pics I already have and give them a new life.

I will be transformed into the mod, 1960’s pop-art beauty that I really am at heart. Groovy baby!!!!!!!!!! I will even have a gang of hipsters to admire me (I am beginning to understand the allure of Blowup)

I started with a self portrait I took at the Espace Sono exhibit. I liked the fact that I was wearing my beret (one of the few fashionable fall pieces in my wardrobe) and the redness of the background. I opened the file in photoshop.

1471850135_c059c11821_m.jpg

In the same Espace Sono article, I had also taken a picture of the Paralèle exhibit brochure. Hmmm….. ideas started taking shape. I opened the second picture in photoshop as well. So I now had two layers. I have always liked being the center of attention, so I of course would need to be center stage in this production. I chose the magnetic lasso tool to cut out the images of the modern dancers on the brochure. The first cutout, my layer number one dancers, were conveniently looking to their left.

1472701224_49fd2aa213_m.jpg

I moved the image onto my background (self-portrait) giving the impression that they are looking at me. I wanted the layers to be somewhat transparent so reduced their opacity. My second layer, another one of the modern dancers, was harder to cut out because I had to move the magnetic lasso around her legs. The cutout was imperfect, but I decided to go the trial and error route and moved it onto the background anyways. Luckily, it looked pretty good. As my created image progressed, it took on a life of its own. The dancers seemed to be coming out of thin air and gave me a feeling of multiplicity, so I naturally duplicated my layer (duplicate layer in the layer menu). I made a total of four copies of my second layer, arranging them in such a way for it to appear as if they were multiplying and marching straight out of my photo, looking to me like the cover illustration of an old copy of Valley of the Dolls that my mom had in the basement when I was a kid (thanks again Mom!!). Hmmmm…. Still too plain! I then cut out some of the print from my second picture, the brochure, changed the opacity to 30% and pasted it onto my self portrait, careful not to cover up my natural beauty (hey, it is my Blog after all!!). I made another two layers using the rectangular marquee tool to cut them out and then the move tool to drag and drop onto the background. This gave me an unexpected, but very welcomed shadow effect. Since I had some free time on my hand and felt encouraged by the results so far, I played around with my background. I used the eyedrop tool to first select different colours already present in the image and then painted the background using the paint bucket tool. When I tried black, I knew I was done. As the finishing touch, I used the transparent red spray paint brush to create that nice red sparkle in my eye.

Voila………

Not only did I manage to finish my assignment and not loose my mojo, but I also have a cool new pic to put on my facebook profile.

1471919515_5fafa1f74b.jpg

Advertisements

Leave a comment

Filed under Media

Blood and Beckham.

The World Press photo event, being held at the Just for Laugh Museum here in Montreal until September 30th, is: ” … a showcase for creativity in photojournalism and a platform for developments in the profession, part of World Press Photo’s aim of encouraging and stimulating the work of press photographers around the world. The show also attracts a broader public, and because of the wide-ranging focus of the contest forms an eyewitness record of world events of the previous year. the most prestigious photos in the world”. After work today, high expectations in tow, I decided to check it out. Over 200 photos from around the world are displayed on large format photo panels, most of them results of recent international conflicts.

p1010013

By the third photograph, I already felt like I was touring a museum of human suffering. Corpses stiff from death, infants in their graves, hospital patients being restrained by force, refugee families fleeing their homes. The list goes on and on. I began to wonder if the key to award winning photography lies in its shock value. Why do I want to see such images? Am I relieved to not be the one suffering these terrible afflictions? Do I feel obliged to witness these atrocities because they have in fact transpired and I owe it to these victims to witness them? Does such an exhibit exploit tragedy or perform the necessary task of informing curious minds across the world? The more I pondered these questions in the metro on the way home, the more unsure of the answers I became. The World Press performs a very important function and supports the freedom of the public to be objectively informed of international events and conflicts. True, some images broke away from the war photography path. For example, photos of the Miss Senior Sweetheart USA pageant, where some guy jokingly (and quite un-politicaly correct) turned to me and confessed that these were the scariest photos on display. Oh, and let us not forget the close-up black and white shots of star football players such as David Beckham and company, or the several shots of endangered species. Is the media solely interested in sports and conflict? In Beckham and blood? The more I think about it, the more I am convinced that the layer of the different categories of images are what appalled me, not the grave nature of most of them.

Perhaps the constant bombardment of shocking images, more than ever readily available thanks to the war photographers that are now allowed to accompany the armed forces on the front, have somewhat changed the rules of the game. Does the fact that we can take pictures of a mother crying over her dead child make it acceptable to charge people nine dollars to see it? Can not the public handle a whole exhibit of current event photographs that we have to include a shot of Clint Eastwood?

p1010011

On positive note, each photo was placed into context by a short explanation or history of the context surrounding the photo, and the openness of the physical space, with it’s high ceilings and bareness, allowed for a global perspective of the entire exhibit.

p1010007

I guess this is a review full of question marks, but the truth is that the World Press Photo Event is unsettling and forced me to think about everything from the current state of world affairs to emerging media trends and what they mean to me. Ultimately, regardless of all criticism I may have towards the exhibit, it did cause me to ask myself some good questions and reflect upon the ongoing debate surrounding war and media in our society.

Not for the faint of heart or spirit, the World Press Photo Event is being held at the Just for Laughs Museum, located at 2111 Saint-Laurent Blvd, and is open everyday from 11 AM to 9 PM. For information call (514) 845-2322.

Additional info:
“World Press Photo.” 18 Sep. 2007 <http://www.worldpressphoto.org/index.php?option=com_content&task=view&id=982&Itemid=153&bandwidth=high>

Leave a comment

Filed under Media